By Osamu Tezuka
Kotan is a toddler of Ainu descent who reveals himself by surprise within the care of a man-eating tiger named Dan. Dan has vowed to Kotan that he'll aid him locate his misplaced mom and dad. Their seek is minimize brief whilst the atypical partners are approached by way of an previous Ainu guy named Upopo. whilst Upopo spins tall stories of the way Kotan is the selected person who will find and inherit the Ainu's hidden treasure, Kotan and Dan locate themselves combating criminals, murderers, cheats, liars, and all-around closed-minded folks. as though there weren't adequate issues threatening their lives, a crow warns Dan that Kotan is may be the one to finish Dan's lifestyles. Can courageous Dan and his ally Kotan continue to exist the pains that watch for them? what's the Ainu peoples' hidden treasure, and is it worth it? was once the crow telling the reality, or used to be it simply malarkey?
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Omit the fleshy part of the nostril and this wrinkle. ----This line indicates where the nose begins to swell. , 53 Somewhere between a manga and realism (intermediate style) The bridge of the nose is drawn from where the cartilage starts. Nostrils are usually omitted. l 54 The bridge of the nose is defined using a contour lines not found on a real nose. Sample realistic (aquiline) noses Again, the contour lines are clearly delineated. The nostril faces downward. . ....... ~ ·) Darken the nose's lower surface and indicate to what extent the nose protrudes.
Mouth with lower lip contours Rather than opting for a monotonous single line for the whole mouth, here this line becomes an abbreviation of the upper lip. A g~ntle curve is then used to suggest the plumpness of the lower lip. This is not a realistic drawing employing meticulous detail. 50 Here, lip contour lines were omitted. Using a realistic style fer the profile would make the character seem a different person, so use your ingenuity to avoid connecting lines. In the profile, since the lower lip must be clearly defined, clearly delineate the upper lip as well.
Take care not to make them too long. Draw the hair Draw the ear. Sketch the general layout of the hair. Draw the bangs and side wisps. Use a gentle curve for the hairline. The hairline should appear naturally to run from the jaw to the ear. Draw the silhouette line and flowing internal lines. ishing touches. I :nw hair strands from the (riJht) side. Add the iris, and the nostril. Adjust the apes of the lips, jaw, etc. Hair in solid black Hair in screen tone 31 (Making Practical Use of the Basic Layout) Always use curved lines for the basic layout.