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By Bill Hylton, William H Hylton

That includes appealing initiatives in quite a lot of types from a few of America's most interesting cabinetmakers, Chests of Drawers is the 5th ebook in Taunton's furnishings tasks sequence. all the seven initiatives comprises transparent directions, measured drawings and reduce lists.

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Take care when tapping the stile into the rail tenons so that the pattern kumiko do not become detached. When the shoji have dried, inspect the jaguchi joints and carefully plane flush where required. Mark your preferred location for the door pulls, and cut out the housing mortise. Apply a small dab of glue to the mortise, and insert the pull so that it sits flush with the face. In this project I decided not to fit door pulls as this process has been sufficiently explained in previous shoji. Attaching the paper Attach the paper in exactly the same way as described for the standard shoji in Volume 1.

Fig-80] Place the kumiko in the cutting jig and mark Cut the joint as normal… [Fig-81] Cut the joint Then cut and trim the other end to about 32 mm. Once the ends are equidistant from the joint, it is then simply a matter of trimming both ends equally until the locking piece fits securely in place. This step is critical, because if the joint is not in the exact center, it will not be in line with the corners of the pattern squares, so work carefully and take your time.

This region was quite famous for the clear waters of the river, and the embroidered silk cloth made there (Shokkō no nishiki) was very elegant and extremely popular. The shokkō patterns embroidered into this fine silk came to symbolize the region. The tsuno-shokkō is one of the many shokkō pattern variations, and the first we tackle in this book. Tsuno means horn, and here instead of miter joints, the squares are formed by half-lap joints resulting in “horns” at the four corners. 5° jig. Calculating dimensions We have a wide range of creative options with the various shokkō patterns, and the tsuno-shokkō is no exception.

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