By Gwenda Bond
Lois Lane has settled in to her new institution. She has pals, for possibly the 1st time in her existence. She has a task that demanding situations her. And her friendship is transforming into with SmallvilleGuy, her on-line maybe-more-than-a-friend. but if her pal Maddy's dual collapses in part of city she by no means should've been in, Lois reveals herself embroiled in a perilous secret that brings her towards the soiled underbelly of city.
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Additional resources for Double Down (Lois Lane, Book 2)
As an undergraduate at Stanford University explained in 1966, “Spider-Man, my favorite, exempliﬁes the poor college student, beset by woes, money problems, and the question of existence. In short, he is one of us” . Like the Marvel Comics of the 1960s, the classic incarnation of Star Trek presented a commentary on the Cold War that mixed conservative and liberal messages to a nigh incoherent degree, partly because of the differing politics of the various script writers and producers. ” On the other, an imperfect-but-still-progressive form of multiculturalism was imbued into the series by the presence of a multiethnic cast of secondary and tertiary hero characters, the insertion of Jewish cultural rituals and values into the series mythology by Leonard Nimoy and several franchise writers, and by persistent efforts by stories to show the “good” side of the villains.
That was a close one! COMMANDER GONAD: Yes! Every species is important, which is why we need to protect our planet and recycle whenever possible and eat hearty nutritious meals including the breakfast cereals advertised relentlessly on this program! SERGEANT STEROID: Part of this complete breakfast! By the way, action ﬁgures based on our characters are available in toy stores everywhere! Sold separately! COMMANDER GONAD: Collect them all! Speaking of licensed characters, look who’s here! It’s Corporal Token!
The different writers have a degree of leeway in the stories they tell with these characters, provided they respect the work done by previous writers in the name of preserving a storytelling “continuity” for the sake of the fans, and that they do not tell a story that is so unpleasant that it risks angering fans, lowering a given character’s “stock,” and threatening the company’s ability to sell merchandise with the characters. Some writers who have spent periods of their lives writing adventures for a given character have been politically liberal, some conservative, and some have strove to be more “apolitical” (although that term often implies a degree of unacknowledged conservatism).