By Howard D. Weinbrot
Howard D. Weinbrot the following collects 13 of his most vital essays on recovery and eighteenth-century British satire. Divided into sections on 'contexts' and 'texts', the essays variety generally and deeply around the spectrum of satiric varieties, satirists, satires, and scholarly and significant difficulties. In 'Contexts', Professor Weinbrot discusses the trend of formal verse satire of blame and compliment popularized via Dryden in 1693 and influential during the subsequent century, demanding situations the conventional view that Hprace and 'Augustanism' outline eighteenth-century satire, and specializes in the vexed query of even if there has been certainly a 'persona' or idea of overlaying at paintings in eighteenth-century satire. In 'Texts' he offers with numerous of an important verse satirists and satires of the interval and heavily analyses them inside their old and creative frameworks. truly written, realized, and sometimes witty, this ebook is devoted to severe inquiry that respects the integrity of its texts. It additionally emphasised the breadth of context that enriches our knowing of satire and the relationships one of the nurturing tradition, the manufacturing poet, the poem manufacturers, and the poem as got in its age.
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Extra resources for Eighteenth-Century Satire: Essays on Text and Context from Dryden to Peter Pindar
To warm, to raise, to deify mankind," 52 it has different effects upon different minds: "Ambition in the truly-noble mind" is always joined with virtue to perform noble deeds. "In meaner minds Ambition works alone," but puts on the aspect of virtue in order to deceive and conquer. " 53 Virtuous Ambition can be found only where reside the several traits of wisdom, inward dignity, outward state, good purpose, great achievement, public blessings, and desire for deserved glory. All of these are exemplified in the long portrait of George I, the most eminent example of true Ambition, and the most likely model for emulation.
The pattern is similar in Absalom and Achitophel (1681), where he "taxes" the apparently extreme political innovations of the Whigs and praises the moderation of the Tories. 49 The satiric structure is also present in Young's Love ofFame. In his Preface Young remarks that his seven "characteristical" satires are really subsumed under one object of attack: "what men aim at by [vice and folly], is, generally, public opinion, and esteem. Which truth is the subject of the following Satires; and joins them together, as several branches from the same root.
Where the poet . . " 46 Indeed, Pope carried the principle of praise and blame into the Dunciad as well as the Epistles. *1 Finally, Thomas Warton, in his History of English Poetry (1774-81), found the same pattern in Elizabethan satire. "48 To this list of critical remarks we might add the practice of several satirists, including Dryden. We know that in the headnotes to his translation of Juvenal and Persius Dryden made clear each poem's attack on vice and praise of the opposite virtue. The pattern is similar in Absalom and Achitophel (1681), where he "taxes" the apparently extreme political innovations of the Whigs and praises the moderation of the Tories.