By Vladimir Nabokov
For 2 many years, first at Wellesley after which at Cornell, Nabokov brought undergraduates to the delights of significant fiction. the following, accumulated for the 1st time, are his recognized lectures, which come with Mansfield Park, Bleak condominium, and Ulysses. Edited and with a Foreword through Fredson Bowers; creation via John Updike; illustrations.
Not fairly essays, no longer genial and common E. M. Forster-ish talks both, nor stirring defenses nor rhetorical destructions, those lectures Nabokov ready and gave at Cornell within the Fifties are only that: he talks and reads, we hear (the related normal method - heirophant making a choice on the secret from the dross - that Nabokov utilized in his personal fiction); and literature is taken aside like a boxful of toys: "impersonal mind's eye and creative delight," "the supremacy of the aspect over the overall, of the half that's extra alive than the whole." There are diagrams and drawings, quiddities made visible: a map of Sotherton court docket in Jane Austen's Mansfield Park; precisely what sort of beetle Gregor Samsa became in "The Metamorphosis" the facade of seven Eccles St., Bloom's residence in Ulysses; what Odette's orchid appeared like in Swann's approach. The extra particular and stuffed the author, the extra particular and stuffed Nabokov's lecture: Dickens, Flaubert, Joyce. He reveals Bleak House's methods scrumptious, the richness and the pity; in Ulysses he swats away the Freudian interpretations ("a thousand and one nights [made] right into a conference of Shriners") in desire of the devilish intricacy of Joycean synchronicity: "the hopeless earlier, the ridiculous and tragic current, and the pathetic future." the place sheer lush orchestration is much less the object, Nabokov falls again on thematic layering and transformation; prior to Stevenson's "Dr. Jekyll and Mr. Hyde" and Kafka's "The Metamorphosis" he's nearly short, enchantedly synopsizing even supposing with microscopic consciousness nonetheless. In Nabokov a crankiness is usually close to the outside (here he rants opposed to videos, even music); and he betrays a definite nervousness by way of detailing a lot, as if an exceptional paintings may try to idiot him: there's anything whilst eccentric and regimental to his appreciation. yet ultimately there's a own, fussy, excessive rapture to those classes and illustrations, no longer really analytical (Nabokov was once too shielding and contentious for research - probably too remarkable, too) - extra a savour literature-as-camouflage. particular and significant. (Kirkus stories ) --This textual content refers to an out of print or unavailable version of this name.
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To be the friend of the poor anu oppressed! Nothing could be more grateful to her, and she was on the point of giving. him an approving look when it was all frightened off, by his adding a something toO pointed of his hoping soon to have an assistant, a friend, a guide in every plan of utility or charity for Everingham, a somebody that would make Everingham and all about it, a dearer object than it had ever been yet. "She turned away, and wished he would not say such things. She was willing to allow he might have more good qualities than she had been wont to suppose.
I told [the Grants and the Crawfords], that you were of all human creatures the one, over whom habit had most power, and novelty least: and ,that the very circumstance of the nuvelty of Crawford's addresses was aga'inst him. Their being so new and so recent was all in their disfavour; that you could , 'tolerate nothing that you were not used to; and a great deal more to the , same purpose to give them a knowledge of your character. Miss Crawford made us laugh by her plans of encouragement for her brother.
Crawford only. " Henry Crawford, who has prevented Julia from being offered the part of Agatha by urging Maria's suitability, tries to repair the damage by urging the part of Amelia, nevertheless, but jealousJulia is suspicious of -To this paragraph VN adds a note in his annotated copy: "And she is quite right. There is something obscene in Amelia's part," Ed, JANE AUSTEN 35 I I I!! I his motives. "With hasty indignation therefore, and a tremulous voice," she reproaches him, and when Tom keeps on insisting that Miss Crawford alone is suitable, " 'Do not be afraid of my wanting the character,' cried Julia, with angry quickness;- 'I am not to be Agatha, and I am sure I will do nothing else; and as to Amelia, it is of all parts in the world the most disgusting to me.